Member of this blog is being published in February 2010.
Showing posts with label get published. Show all posts
Showing posts with label get published. Show all posts
Monday, December 12, 2011
Saturday, December 3, 2011
Literary Agents
Literary Agents
I want to get published, do I need an agent? This is a question I get frequently. If you want to write fiction for a major publisher, I believe you will need an agent. How-to writers and professional reference writers do not normally need an agent.
I had an agent several years back. He got me book deals with publishers who I probably would not have gotten traction with on my own. Overall, I sold most of my own work. I did not sign an exclusive contract with the agent. Most agents require an exclusive, but I negotiated my way out of it. We did agree that what he represented was exclusive to him, but I could sell other ideas to other publishers on my own.
Now, how do you get an agent? It’s tough. The procedure is much like getting a job when you are young. Employers want people with experience, but you can’t get experience without a job. The struggle is similar with agents. They want known names. By the time that you have a known name, you may not need an agent.
I recommend doing your early work on your own. Once you have been published a few times, you have something to show an agent. What you got paid for the writing rarely comes up. What matters is that you are published. Many smaller magazines and publishers have limited budgets and will pay authors in copies of the publication or very modest fees. It is a little painful to suck it up at the time, but getting your name out there is important and having clips to send to other potential buyers and agents is very valuable. I think I got 12 copies of the magazine where my first article appeared as payment, but look where I wound up.
Another issue pertaining to agents is sorting out the good from the bad. Beware of reading fees. These are becoming more common, but you should not have to pay for an agent to read your proposals. If they do not have enough confidence in you to read what you have written, why should you sign with them?
When I got into this business the internet for consumers was just developing. I was using DOS programs and somehow had memorized the codes for using it. Imagine that in this day with smart phones, Windows®, and the like. I remember getting a 20 meg hard drive and wondering why anyone would need that much space. Times have changed. Back then it was difficult to check out agents. Now you have the internet, forums, writer’s groups (such as my Writer’s Nook on Linkedin®), and similar places to check out potential agents. Use these resources.
Before you sign with an agent, read the contractual agreement closely. Make sure that you can get out of it in short order if something goes wrong. Sometimes you just can’t tell until you are in the water if it is safe to swim with the sharks.
Does it sound like I don’t like agents? It sounds like that to me, but the opposite is true. Good agents are invaluable. They are doing face time and pressing the flesh with editors on a daily basis. Agents are a conduit to success when you have the right one. The key is getting the right one.
Dodge
Fast Internet Exposure as a Writer
Fast Internet Exposure as a Writer
Are you interested in getting fast internet exposure as a writer? If so, consider writing articles for Articlesbase.com. They do not pay you for your work, but you do get exposure and some pretty darn good search engine placement.
I wrote 29 articles for the site as both a test and to test market book concepts. Those 29 articles have resulted in 7,592 views and good placement on Google®.
The articles do not have to be long and I believe you are allow three live links in the pieces that will take readers where you want them to go. This can be very beneficial if you have a website that you want people to visit.
Another benefit of the site is that you become a “published” author the easy way. It doesn’t have the clout that big-name magazines have, but published is published and it gives you clips of your work to show to prospective clients.
When I started writing in 1990 this type of thing was not available, or if it was I never knew about it. My experience with it is something like reverse engineering, but the results were desirable. For up-and-coming writers, I think this type of exposure could be very good.
I can tell you that as a book producer, I keep an eye on articles and journals written by various people. And I am not the only one who does this. In fact, many publishers find their new talent via articles. It gives us an opportunity to evaluate style and content before we invest a lot of time in potential authors. The benefits could be significant for a budding author.
Dodge
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